Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. She makes one feel her strung to the breaking point tension in scene after scene. David Badash. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". As Robin Hood, little Kevin appears in a similar-looking shirt. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Kevin has numerous reasons to hate his mother, Eva. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. Kevin replies that he thought he knew why but now hes not sure anymore. Now I'm not so sure." In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. For mothers always seem to be on trial. The light outside disappears. The novel explores themes of nihilism, motherhood, the relationship between violence and depravity, and much more. In any other movie, that would be child abuse. Menu. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. Like a fluke, nothing to do with her personality or her hubby's personality? The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. The truth to motherhood is a harsh one. He's positive, cheerful, disconnected; he always behaves as nicely as he can, and in doing so, suggests his profound cluelessness. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Only with her because his father was at work whole day and saw his son for like an hour a day. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Of course, that mental illness is presumed by viewers. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. Eva believes that some defect of maternal affection had something to do with Kevin's development. Kevin does not play ball, and he becomes increasingly manipulative. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. An early scene shows Eva apparently participating in an orgy in a lake of blood. Directed by Lynne Ramsey When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. The film does not show us how Kevin presents the eyeball to Eva in jail. And the whole thought was just to fight and keep fighting? Three days before turning 16, Kevin unleashes chaos in his school. KatyO'Brian (Agents of S.H.I.E.L.D. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. So is Amelia in The Babadook. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. For full Oscars coverage and commentary by its reviewer, Fr. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. In You Were Never Really Here, Joaquin Phoenix was a hitman beset by PTSD. We Need to Talk About Kevin. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). To express concern over a child's habitual malice is coded as monstrous. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. However, the story's unflinching refusal to provide answers for who was responsible carries over. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. Kids banging on the door on Halloween in the present evokes a memory of young Kevin throwing all his food at the fridge. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. It'd be so much fun. Kevin is a defiant baby who screams incessantly but never around Franklin. You've got Braveheart, which it kind of has a similar feeling to. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. Would any interference have prevented him from becoming a killer? An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. He seems to recognize that he has some advantage over her. So, I think it'd be really, really cool to see if they came up with something else. The red paint of vandals stains her car and the front of her house. Directed by: Lynne Ramsay. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. Eva finally asks why he did it. The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. Indeed, one of. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. The comedy had to come elsewhere there. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. But by the time he is a seven year-old, he starts to act in ways that seem in excess of whatever defects in mother love he may be getting. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. So, what did that exchange mean for the Khatchadourians? For full Oscars coverage and commentary by its reviewer, Fr. The real monster is expecting nothing less than unconditional love. Jake Martin, SJ, is a Jesuit priest, comedian and writer. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. We see this throughout Kevin's early developmental journey. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. A demon seed. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. KATY: We had this whole scene where we're all cheering at the end kind of thing. The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. Matters worsen when she becomes pregnant with a daughter. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. I mean, there's no room for the leader of the rebellion to give up. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. Finally. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. Eva goes into postpartum depression, and her menacing and antisocial kid Kevin only aggravates her ailment. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. None of this is done in a straightforward fashion. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. But we can safely assume that Kevin did not literally eat the eyeball. Movies. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? That the film works so brilliantly is a tribute in large part to the actors. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. By. The film moves without any pattern between past, present and who knows when. The kid was screaming nonstop from the go, as infant. Is it possible for her to move on from something so traumatic? What if she knew while being pregnant that she is about to give birth to a monster? We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. Was he acting out to punish Eva? Sign up for weekly updates from Busted Halo! Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. He was exactly right. The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. We see Kevin as a troubled kid who may need greater care. Franklin's story is simpler but in some ways I think it's worse. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. All Rights Reserved. The film depicts him as a psychopath beyond redemption. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. Evas struggle to connect with Kevin only deepens with age. She asks Kevin why he didn't kill her. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Fr. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. When Eva goes to meet Kevin in the detention center, she asks him the same question. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. Hosted by Michael Barbaro and Sabrina . He can't understand her, but don't you suppose he understands her dislike? Cookies help us deliver our Services. Business, Economics, and Finance. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. It is true that there is nothing unusual about giving birth to children in order . Now, mommy wakes up every morning and wishes she was in France! Her only crime was perhaps hurrying into the role before she was ready. But Eva is incapable of showing him the love that he deserves, even after trying her best. Be respectful! Advertise, Funny Superhero (DC & Marvel) Shirts & Stickers. Kevin was never the apple of his mothers eye, which he realized from early childhood. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. May 12, 2021 12:33:39 IST. What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Something just happened. This is also true of Eva, but we see the conflict in her about her son's mental state. There is some resentment over Kevin's arrival deterring her professional ambitions. What kind of a kitchen has empty counters? Kevin examines both our darkest moments and those slivers of Grace that sustain us. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? This review of the film was originally published on December 22, 2011. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. The second is Kevin's bedroom. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. Instead, maternal ambivalence is coded as horror. describes the "nature vs. nurture" debate. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. Sometimes Zuzu's petals are all you have to hold onto. But the two most significant and poignant moments are found at the end of the film, when the 18-year-old Kevin, two years into a prison sentence for a heinous incident at his high school (yes, its as bad as you think), responds to his mothers query as to why he did what he did. Who's there when Kevin gets sick? Jake Martin, visit our special Oscars season blog, Movie Minister.. Don't comment just to troll/provoke. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. Overview. Kevins reaction is an indictment of both Eva and audiences expectations and their desire for his complicity in perpetrating the fraud. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. I think that she and Jentorra had a huge past together. See production, box office & company info. Alienated from friends and community, all she has left is her son. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Prefer Ramsay's earlier pictures to this flawed but interesting piece. Kevin, it seems, has a method to his madness. This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. Contact | Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. This is not entirely his fault. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Genres: Psychological Drama, Family Drama. Nature refers to how they were born, while nurture refers to how they were raised. From here he becomes a sociopathic teen with a rather keen interest in archery. All logos and images used on this website are registered trademarks of their respective companies. otakucode 11 yr. ago To rate, slide your finger across the stars from left to right. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. Kevin, it seems, is a volatile Holden Caulfield for the generation. This review of the film was originally published on December 22, 2011. It must be something like this to have a nervous breakdown. She mentions that she believes he'll be released in five years. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Does Eva's open contempt for Kevin drive him to darkness? Or maybe I'm somehow getting it mixed up with another film! We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. If you are having trouble tying loose ends, let us assist you in the process. Crypto Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. Kevin grows up to be ever more distant. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Children seldom get that attention, though. The Ending Of We Need To Talk About Kevin Explained. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. 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